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Amphigorey Again, by Edward Gorey
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This collection displays in glorious abundance the offbeat characters and droll humor of Edward Gorey. Figbash is acrobatic, topiaries are tragic, hippopotami are admonitory, and galoshes are remorseful in this celebration of a unique talent that never fails to delight, amuse, and confound. Amphigorey Again contains previously uncollected work and two unpublished stories—"The Izzard Book," a quirky riff on the letter Z , and "La Malle Saignante," a bilingual homage to early French silent serial movies. Rough sketches and unfinished panels show an ironic and singular mind at work.
- Sales Rank: #329122 in Books
- Brand: Gorey, Edward
- Published on: 2007-09-17
- Released on: 2007-09-17
- Original language: English
- Number of items: 1
- Dimensions: 11.00" h x .74" w x 8.00" l, 1.67 pounds
- Binding: Paperback
- 260 pages
- Mariner Books
From Booklist
Perhaps only Edward Lear is the late Edward Gorey's peer among writer-artists. Lear considered himself an artist first, and Gorey thought of himself more as a writer. Yet Lear seemingly put greater effort into the texts; Gorey, into the pictures. Lear's drawings often look tossed-off, whereas Gorey's are dense patchworks of tiny patterns, before which his Edwardian personae and fanciful creatures disport, and into which, sometimes, they visually sink. Lear addressed children first; Gorey, adults; but both appeal to anyone with a taste for morbid absurdity. But for its much greater childishness, Lear's sublime "The Story of the Four Little Children Who Went round the World" could be one of Gorey's tales of addled travel, such as "The Headless Bust" in this final omnibus, after Amphigorey (1972), Amphigorey Too (1975), and Amphigorey Also (1983), of Gorey's work. There is less of Gorey at his best here, and some that seems or plainly is incomplete. Still, Gorey's unique talent should be represented as completely as possible in every collection of American art and literature. Ray Olson
Copyright © American Library Association. All rights reserved
Review
PRAISE FOR EDWARD GOREY
"A master of a genre of graphic storytelling [and] a brilliant draftsman."--The New York Times Book Review
"Dark masterpieces of surreal morality . . . Beautifully depicted."--Vanity Fair
About the Author
Edward Gorey (1925-2000) wrote and illustrated such popular books as The Doubtful Guest, The Gashlycrumb Tinies, and The Headless Bust. He was also a very successful set and costume designer, earning a Tony Award for his Broadway production of Edward Gorey's Dracula. Animated sequences of his work have introduced the PBS series Mystery! since 1980.
Most helpful customer reviews
41 of 41 people found the following review helpful.
All is Discovered! Amphigorey Again Reviewed
By G.A. Emil
Amphigorey Again is the fourth, and possibly last, anthology of works by American author and artist Edward St. John Gorey (1925-2000). Picking up where the previous anthology Amphigorey Also (1983) left off, Amphigorey Again reaches as far back as 1968 with the inclusion of The Other Statue and Categor y in 1974, at the same time encompassing the last of Gorey's work with The Headless Bust (1999).
What lies within?
The Galoshes of Remorse, a periodical illustration
Signs of Spring, a newspaper feature
Seasonal Confusion, a newspaper feature
Random Walk, a newspaper feature
Categor y, trade publication
Bibliophile (unlisted pen and ink and watercolor illustration)
The Other Statue, trade publication
10 Impossible Objects (abridged), pen and ink illustrations
The Universal Solvent (abridged), privately published
Scènes de Ballet, privately published postcards
Verse Advice, a newspaper feature
The Deadly Blotter: Thoughtful Alphabet XVII, privately published
Creativity, a periodical pen and ink illustration
The Retrieved Locket, privately published
The Water Flowers, trade publication
The Haunted Tea-Cozy, trade publication
Christmas Wrap-Up, a pen and ink and watercolor illustration
The Headless Bust, trade publication
The Just Dessert: Thoughtful Alphabet XI, privately published
The Admonitory Hippopotamus, a previously unpublished work
Neglected Murderesses, privately published postcards
Tragédies Topiaries, privately published postcards
The Raging Tide, trade publication
The Unknown Vegetable, privately published
Random Walk, a newspaper feature
Serious Life: A Cruise, a newspaper feature
Figbash Acrobate, privately published
La Malle Saignante, a previously unpublished work
The Izzard Book, by Mrs. Regera Dowdy, a previously unpublished work
Two previously unpublished works, The Admonitory Hippopotamus and The Izzard Book, are supposedly unfinished. The other unpublished work, La Malle Saignante is wonderfully conceived and realized; I wonder why it never made it to the bookshelves. But it is The Admonitory Hippopotamus I am especially fond. A compact epic, a touching and vivid portrayal, it is all text. Originally announced in the first Amphigorey back in 1972, I always kept a third eye out for its debut. Though it lacks illustrations, I easily let my mind cast the parts of Angelica and Sneezby with Gorey demoiselles and hippo in the manner of The Nursery Frieze (1964) - and am pleased as punch it's included.
The newspaper and periodical features are satisfying treasures. Unless one was diligently clipping NY Times Magazine and NY Times Book Review and the like, one would've missed most of these. These seasonal limericks and short stories remind me how versatile Gorey was with the English, and occasionally French, languages. His Dogear Wryde postcard series, like Tragédies Topiaries, are strong examples of Gorey's ability to tell stories in a similarly abbreviated medium, nearly all resemble well-articulated storyboards.
Amphigorey Again can also be called The Colorful Compendium - it has twelve works in full spectrum Gorey palette. Works in color previously appeared only once in the first anthology, twice in the third. The twelve works in this volume vary wildly in range and palette, but I find Gorey's subdued tints very nicely done, especially in Galoshes and Random Walk.
But what I really like are the acres of black & white, pen & ink hatching & cross-hatching - and Gorey went to town in La Malle Saignante. Its story could have fallen from a Louis Feuillade notebook, but the artwork is thick with Gorey's graphic motifs used in earlier works like The West Wing (1963) and The Gilded Bat (1966). The density of hatch & x-hatch, if measured in strokes-per-inch, seems as painful as it is beautiful to regard. One can only hope Gorey enjoyed creating these as much as we enjoy soaking them in. Like so many other Edward Gorey classics, the closer one looks, the more one is drawn in.
" The hippopotamus peered out at her from
behind the altar. `Fly at once!' he said. `All is discovered.' "
-- from The Admonitory Hippopotamus: or, Angelica and Sneezby
G Emil,
[...]
1 of 1 people found the following review helpful.
Another classic Gorey compilation.
By Karl Icchan
As a lover of Gorey, I had to get the latest installment of the Amphigorey series. Like the others, the artwork is amazing, the stories dark, fun, and a joy to read. I have to say, I don't think it's as good as the others, but worth picking up nonetheless.
3 of 3 people found the following review helpful.
Late Works: Amusing, but a few books have omissions
By Richard M. Boothe
Amaphigorey Again contains 28 late (or mature phase?) works by Edward Gorey. Personally, I prefer his early and middle period creations, when he had not allowed his indulgence in his own idiosyncrasies to reach epic proportions. Some late works I find hard to relate to, despite my taste for high weirdness. Case in point: "The Raging Tide: or, The Black Doll's Imbroglio," with utterly no explanation of who the various beings involved are or why the events mostly take place in and around giant statues of thumbs. (The Black Doll's only appearance is on the cover art).
Two of the works, "10 Impossible Objects" and "The Universal Solvent" are listed as abridged. I found the alphabetical works, "The Deadly Blotter" and "The Just Deserts" also missing pages, although I don't know if this was Gorey's doing, or if the folks at Harcourt discovered there weren't enough pages in the projected book to reproduce every last image and made cuts. Or requested Gorey to make cuts.
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