Sabtu, 24 November 2012

[Z800.Ebook] Ebook Free Batwoman Vol. 3: World's Finest (The New 52), by J.H. Williams III

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Batwoman Vol. 3: World's Finest (The New 52), by J.H. Williams III

A New York Times Bestseller!

Batwoman's search for Medusa brings her together with the Amazing Amazon, Wonder Woman, but even the teaming of the World's Finest might not be enough to bring down the mythological monster--leading Bones, the DEO, Abbot and the Religion of Crime all descend on Gotham City to take part in the fight.

Collects BATWOMAN #12-17, #0.

  • Sales Rank: #852138 in Books
  • Brand: DC Comics
  • Published on: 2013-09-24
  • Released on: 2013-09-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.40" h x .58" w x 6.80" l, 1.19 pounds
  • Binding: Hardcover
  • 168 pages

About the Author
J.H. Williams entered the comics field in 1991 and immediately began getting attention for his finely crafted work on such titles as Batman, Starman and Seven Soldiers of Victory. William's went on to co-create and pencil the hit series PROMETHEA with comics legend Alan Moore. His recent works include writing and drawing the critically acclaimed DC—The New 52 title BATWOMAN as well as drawing Neil Gaiman's return to the legendary SANDMAN series.

Most helpful customer reviews

10 of 11 people found the following review helpful.
Kate and the monsters
By Tyler Johnson
I've been following Kate Kane since her debut in 52. No, not the new 52, but the groundbreaking 52 week event that defined DC for years to come. I've followed Kate through her incredible stint in Batwoman: Elegy Detective Comics and was extremely excited to hear that she was getting her own series in the New 52. Batwoman Vol. 1: Hydrology (The New 52) and Batwoman Vol. 2: To Drown the World (The New 52) did not disappoint, but this volume takes the incredible work done in the two previous installments and ties it together beautifully in this entertaining, and very satisfying story.

This volume brings Wonder Woman into the mix, to great effect. For someone following Azzarello's excellent series Wonder Woman, Vol. 1: Blood (The New 52) I was afraid that this iteration would be too different. Thankfully Williams and Blackman do a great job integrating her into Batwoman's world.

As Always, J.H. Williams astounds with his beautiful visuals. I was glad to note that while they are just as gorgeous as in previous volumes, they were much easier to follow in this one, eliminating the only problem I've ever really had with the series.

Another highlight of the series is the relationship between Kate and Maggie, making DC's recent actions all the more painful. In light of DC's frequent and progress halting "editorial changes", Williams and Blackman have decided to step down from Batwoman. A plot line they planned to implement, which had been green lit by DC months before, was shot down last minute, prompting the creators to leave the book. Worse yet, DC has decided to not let them finish their run. While that tidbit won't affect your enjoyment of THIS volume, I feel it fair to warn any potential readers as to the ultimate fate of this excellent story.

Batwoman continues to be a genre defining series in the comics best volume yet. If you enjoyed the previous volumes, this one is even better. I highly recommend this book, but suggest that you be familiar with the series, if not having outright read everything leading up to it, before you buy this and dive in. An most definite buy.

0 of 0 people found the following review helpful.
A Magnificent Adventure of Wonder Woman
By Coach of Alva
Batwoman realizes that the "Medusa" she has been fighting for lo these many issues is not an organization, but the Gorgon. She tracks down DC's specialist in mythology, Wonder Woman, and, after a couple of adventures in Greek mythology land, return to Gotham. There they find Medusa and her recruits in a full-fledged invasion / rite designed to revive Ceto, first goddess of the sea, and the mother of monsters. The ensuing melee, magnificently drawn, involves every character, good, bad, and in-between, that has figured in the first two volumes of Batwoman. The battle ends with Gotham saved, missing children returned, Medusa turned to stone (how original) and Ceto risen but forgiven and protected by Wonder Woman. Oh, yeah, and Batwoman proposes to her Lesbian lover on the police force.

A magnificent adventure of Wonder Woman. However, if you were to ask me what an adventure of Batwoman looked like, I'm not to sure.

0 of 0 people found the following review helpful.
"That's when I realize there are some things you can never unsee."
By BlueStar
Covering issues #0, 12-17, Wonder Woman joins Batwoman in this third volume of her newly-revamped series and the last book in the story to rescue the kidnapped children from Maro! As Batwoman digs deeper into the mythological quest to find the kids, she finds that she's up against a Greek myth and she needs a Greek demigod to help her! This time, everyone's involved and new menacing monsters are discovered and secrets are out!

Firstly, like the other two books, J.H. Williams III loves to create some really neat splash pages. Although this is a nice hardcover like the other volumes, it's still glued and a lot of the spreads are lost in the gutter of the book. A sewn-binding or even an omnibus consisting of these first three volumes would be nice. Otherwise, the art is fantastic and gory as always making you gaze in the beauty of some panels and gag at the disgust of others. The writing by Williams and W Hayden Blackman work really well in wrapping this long storyline up. This volume isn't half as confusing as the other two and Wonder Woman is written very well. The dialogue at times is hard to decipher with some pages having several different characters narrating and leaving you to figure out what font belongs to which character but you catch onto it quickly. It was a great story and the zero issue, placed after issue 12, worked well in giving a bit of background information on Kate and her relationship with her father. The extras aren't anything to write home about but are neat to look at. Overall, a nice presentation for a good Batwoman story that isn't tied into the Death of the Family arc that invaded all the other Bat-stories.

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Jumat, 23 November 2012

[D926.Ebook] Download Ebook Pictura: Botanicals, by Daniela Jaglenka Terrazzini

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Pictura: Botanicals, by Daniela Jaglenka Terrazzini

Pictura is a stunning range of black-and-white artworks to collect and colour for all ages. This exciting new format includes 12 prints which can be removed from the book, coloured in and displayed on your wall. Perfect for nature enthusiasts and gardeners, Botanicals offers the opportunity to colour in some of our most beautiful flowers, including the rose, orchid, peony, water lily, poppy, tulips and dahlias.

  • Sales Rank: #1650786 in Books
  • Published on: 2014-10-01
  • Original language: English
  • Dimensions: 10.79" h x .28" w x 13.86" l, .18 pounds
  • Binding: Paperback
  • 24 pages

About the Author
Daniela Terrazzini studied Fine Art in Milan. Her contemporary take on a classic style has a beautiful originality and quality, and she has worked with publishers including Crabtree, Puffin, Penguin, Chronicle and Macmillan.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Big Beautiful prints on heavy card stock
By Zoo
These are gorgeous and large. I am almost afraid to put any of my inferior coloring skills on it.

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Minggu, 18 November 2012

[D452.Ebook] PDF Download Train Your Gaze: A Practical and Theoretical Introduction to Portrait Photography, by Roswell Angier

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Train Your Gaze: A Practical and Theoretical Introduction to Portrait Photography, by Roswell Angier

Learn to take beautiful, surprising, stunning portraits with Train Your Gaze. Author Roswell Angier, a renowned photographer and portraitist, explores the theory and the practice of shooting human subjects in this practical guide. The easy-to-navigate format allows the reader to use the book as a cover-to-cover, step-by-step course in portrait photography, or as a handy reference for setting up specific shots--or both. Technical talk is kept to a minimum; the emphasis is on creating remarkable portraits in many different ways. Illustrated with images from some of the world's most influential photographers and artists. Train Your Gaze is sure to train photographers everywhere to think about portraits in a bold new way.

  • Sales Rank: #1504981 in Books
  • Published on: 2006-11-15
  • Released on: 2006-11-15
  • Original language: French
  • Number of items: 1
  • Dimensions: 11.78" h x .90" w x 8.71" l, 2.67 pounds
  • Binding: Paperback
  • 224 pages

Review
This book is a truly unique and valuable contribution to the field. It is not only a history, but also a theoretical analysis of the problem of portraiture, as well as a guide to the practice of making imagery itself. . . It is exceptionally well illustrated with contemporary and historical work, and is very catholic in its approach to the medium and the multiple concerns of portraiture in the numerous genres of camera image making.

About the Author
Roswell Angier's work is held in many prestigious museums and galleries, including the Museum of Fine Arts, Boston, the Smithsonian Institution, the Addison Gallery of American Art, and private collections around the world. He is represented by Tom Gitterman Gallery in New York. He lives in Cambridge, Massachusetts.

Most helpful customer reviews

6 of 6 people found the following review helpful.
Outstanding!
By T. Campbell
This is one of the most intelligent books about a genre of photography I have seen. The author manages to say things almost about the broadest imaginable range of person-rendering that are concrete enough to be interesting and worth reading. He combines a certain amount of formal (structural) analysis with the expressive, psychological, pathological, and other nonconcrete aspects of images in a manner that allows one to understand what is behind some photographers' works that bore me to death: to wit, as one example, square format images with a fill-flashed figure of a prepubescent girl standing (vertical) in the exact center of the frame. One or two of these, and I find that trying to divine the photographer's "message" more than a pain, let alone a possible waste of time. Such images are statements about psychological issues using photography as a means of expression, but the viewer, without lots of explanation, is left to "read the photographer's mind," an activity at which my favorite math professor and I are pronouncedly not very good.

That I find a certain percentage of the exemplars tedious and boring is not a negative comment on this author's achievement. He makes sense of what a viewer should or can understand about images.

Unfortunately, so many works, and not just portraiture, put one's eye to sleep when seen in numbers. That this author explains so well what is behind the motivation or intentions of these images having been made is commendable, even delightful, but it still fails to remove such a need from many viewers to have written assistance in understanding some photographers' and artists' messages, if they are worth understanding at all.

This book makes an outstanding textbook. The exercises cannot fail to push one past any number of limits and open new visual horizons. Bravo.

It would be good to see such a book available for other genres of photography: landscape, street, and others.

6 of 6 people found the following review helpful.
A welcome addition to photography connoisseur shelves as well as photographer-in-training reference shelves.
By Midwest Book Review
Academic, photographer, and artist Roswell Angier applies his twenty years of experience to Train Your Gaze: A Practical and Theoretical Introduction to Portrait Photography. The result is a beautifully illustrated guide to refining one's technique in capturing the situational element of photography. The activity of one person looking can completely transform the sense of a piece, as revealed again and again in the sample black-and-white and color photographs, each of which has its background described at length. The soulful images make Train Your Gaze a welcome addition to photography connoisseur shelves as well as photographer-in-training reference shelves.

4 of 4 people found the following review helpful.
Wonderful, and inspiring read.
By Brittan
I would recommend this book for anyone interested in art in general not just photography. I really could not put it down. It was technical but not in a boring way. It inspired and enlightened me. BUY THIS BOOK. You will not be sorry.

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Sabtu, 17 November 2012

[H657.Ebook] Ebook Free Desert Solitaire: A Season in the Wilderness (Edward Abbey Collection), by Edward Abbey

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First published in 1968, Desert Solitaire is one of Edward Abbey’s most critically acclaimed works and marks his first foray into the world of nonfiction writing. Written while Abbey was working as a ranger at Arches National Park outside of Moab, Utah, Desert Solitaire is a rare view of one man’s quest to experience nature in its purest form.

Through prose that is by turns passionate and poetic, Abbey reflects on the condition of our remaining wilderness and the future of a civilization that cannot reconcile itself to living in the natural world as well as his own internal struggle with morality. As the world continues its rapid development, Abbey’s cry to maintain the natural beauty of the West remains just as relevant today as when this book was written.

  • Sales Rank: #16030 in eBooks
  • Published on: 2011-08-21
  • Released on: 2011-08-21
  • Format: Kindle eBook

Amazon.com Review
With language as colorful as a Canyonlands sunset and a perspective as pointed as a prickly pear, Cactus Ed captures the heat, mystery, and surprising bounty of desert life. Desert Solitaire is a meditation on the stark landscapes of the red-rock West, a passionate vote for wilderness, and a howling lament for the commercialization of the American outback.

Review
"Like a ride on a bucking bronco . . . rough, tough, combative. The author is a rebel and an eloquent loner. His is a passionately felt, deeply poetic book . . . set down in a lean, racing prose, in a close-knit style of power and beauty." ---The New York Times Book Review

From the Publisher
The year before I began working at Random House, I took a roadtrip with a friend from college. One night we spent sleeping under the stars on the side of the road, about one-hundred feet from the edge of the Grand Canyon. That night has stayed present for me. And so when I saw the deep desert reds and the striking blue sky of the cover of DESERT SOLITAIRE sitting in the office, I had no choice but to pick it up. Riding through the insides of Manhattan, tunneling through to work, I have been carrying this book with me. I keep closing my eyes and hearing the wolf call, the swish of the wind through the brush and seeing the great vast distances, feeling the heat of the day on my skin and the dry cool descent of desert night. In reading this book I am coming to a whole new understanding of the ecology of the desert west. Edward Abbey went alone to the desert as a seeker of a greater knowledge of himself, but also to dwell in a nature unfiltered, unpersonified, on its own terms. The desert is bigger than any of us, filled with intimate moments. This book will take you there.

Jason Zuzga
Ballantine Editorial

Most helpful customer reviews

1 of 1 people found the following review helpful.
Beautifully Written, Enjoyable if the Bigotry doesn't Bother You
By txqueen
Edward Abbey writes beautifully about the Southwestern desert, and his love for it really comes through. This was not enough for me, however, to overcome the arrogance and bigotry that comes through. For example, he describes other tourists and campers in derogatory fashion; at one point, he makes fairly nasty critical remarks about a man who went hiking on a photography trip and died. Yet, in many examples in the book, he does foolish things while hiking. Why, when someone else does foolish things in the desert, they are stupid, and when he does, he is merely adventurous? He (appropriately) criticized a tourist for wanting a photo of a Navajo man, but later in the book, when he is drunk, he offensively describes himself as "drunk as a Navajo". He has sexist views towards women that are clear in the book. For example, he describes himself, when weeping, as "crying like a woman". These are just two examples of his not being as enlightened as he purports to be. I am glad that so many other reviewers found his work worthwhile. He is, indeed, a champion of the natural desert environment and it's flora and fauna, and has an important environmentalist and conservationist message. I could not get past his attitude and bigotry, however, so the book was not enjoyable enough for me to recommend it to someone else.

1 of 1 people found the following review helpful.
Being there...
By Conway
OK. To fully appreciate this accumulation of experiences and stories... you need to plan a trip to Southern Utah. ( Go during a "shoulder" season so you will not have too many crowds ). You really need to actually be there. To see the horizons and stirring landscapes. And you will need to let go of any preconceived attitudes about deserts - any requirements for 5-Star anything. Take this book along and read a few chapters each evening. And you will need to allow yourself enough time to just sit... listen.. and reflect. Visit Moab and the Arches N.P. and imagine how it once was not too long ago. Head off to Dead Horse Point and then down to the Needles area - both in Canyonlands N.P. If you can, camp for a night or two. Look for the La Sal Range on the eastern horizon. In this way, I think you will develop a better appreciation for Mr. Abbey's world. A couple of chapters might be considered a bit off point, but that's all part of the experience. So --- get the book, plan your adventure... and, if the Southwest is a new experience for you, I believe you will come back home with some remarkable impressions. All enhanced by "Desert Solitude".

1 of 1 people found the following review helpful.
Okay, sure, it was fun.
By rlamazon
Alright, it's a classic. But, as I had kind of picked up from others who have written about him, Abbey was kind of filled with himself. Although, the anti-establishment group from the 1960's is pretty well represented in this time capsule, I don't like running into smart-than-thou park rangers, so some of the passages kind of rubbed me wrong. As for adventures, mostly spurred by leaping before looking, and a kind of hippie approach to being in the West, it's a romp of sorts. The thirty plant names mentioned over and over and over will certainly be burned into your brain by the time you finish. lol. Is it okay to think a classic is just okay? For what it's worth, I started Stegner next and am finding him slightly oblique. I guess I just find the wonders of the West wonderful, without writing about them in a mysterious, transcendental way. Even Muir, in his Scottish, time-context sensitive prose could paint a pretty good picture without getting too circumlocutory.

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